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Stanislav Sadalsky is a Soviet and Russian theater and film actor, TV and radio host, blogger. He has the title of Honored Artist of the RSFSR, People's Artist of Georgia, People's Artist of Chuvashia. He is best known for his roles as Kolya Biryukov in the film “Boys”, pickpocket Kostya Saprykin in the film “The meeting place cannot be changed”, Pletnev in the film “Say a word about the poor hussar”, a wedding photographer in the film “Promised Heaven ", starred in the film magazine "Jumble" many times. To date, Sadalsky has starred in more than 100 films.
Stanislav Yuryevich Sadalsky was born on August 8, 1951 in the family of teachers Yuri Alexandrovich and Nina Vasilievna in the village of Chkalovskoye, Chuvash ASSR. The father of the future actor taught physical education at a technical school, his mother taught geography at school. Stanislav Yurievich had a younger brother Sergei, who lived only 33 years. The actor has Chuvash, Ukrainian, Jewish, Polish and Gypsy roots, but there is no Russian blood in him at all.
Despite this, Sadalsky considers himself a Russian actor. Now his name is known in all CIS countries and beyond, thousands of fans subscribe to his social media accounts, and tickets for performances with the participation of the actor are sold out in a few months. But before getting on the stage of the theater and TV screens and winning the love of the audience, Sadalsky had to go a long and difficult way.
Childhood and youth
In 1953, the Sadalskys moved to Kanash and lived in a nine-meter room right at the school. Here Stanislav went to first grade. In 1958 his younger brother was born. Housing conditions became unbearable, the parents decided to move to Voronezh, where they were given a service two-room apartment. The mother of Sergei and Stanislav received a promotion and became the head teacher for educational work.
Photo: Stanislav Sadalsky in childhood Quarrels and scandals constantly occurred in the family. The father of the future actor often drank, walked, severely beat his wife and sons. When Stanislav was 12 years old, his father hit his mother hard on the head, from which the woman died. Until her death, she loved her husband. Stanislav and five-year-old Sergei ended up in a Voronezh boarding school: their father did not need children.
Revealed in the boarding school acting talent Stanislav. He was bored with solving problems in algebra and geometry classes, so he grimaced in class, tried to cheat in exams, but did it in such a way that teachers and classmates laughed to tears. And in chemistry lessons, he strove to steal a test tube or drug, for which he was often expelled from the class.
Photo: Stanislav Sadalsky with his father and mother The teachers offered the restless boy to enroll in the drama club "Eaglet". Soon Sadalsky made his stage debut in the play "Cipollino" in the role of the villain Signor Tomato. The acting game completely absorbed the boy, he began to try on more and more new images. Alexandra Stepanovna, a drama club teacher, adored Stas and replaced his mother. The boy dreamed of becoming a professional actor, and Alexandra Stepanovna advised him to enter the theater school. When he finished school and was preparing for the entrance exams, she helped him, gave advice. At the same time, Stas's father appeared, who demanded that his son become a military man.
Sadalsky fled from his father to Moscow and never saw him again. In the capital
the young man applied to the theater school. Schukin. Despite acting talent, tall stature and expressive facial features, Stanislav was not accepted due to an incorrect bite and a speech defect: he lisped slightly.
Photo: Stanislav Sadalsky in his youth Being denied a prestigious educational institution, Sadalsky went to Yaroslavl to enter the local theater school. They reacted loyally to his defect, but warned that the school did not provide protection from the army. Stanislav did not want to serve in the army and decided to enter the Shchukin school again in a year, but for now he got a job in the assembly shop. In parallel with work, the young talent played in the drama circle at the Palace of Culture and arranged performances right at the workplace. Each episode was accompanied by unbridled laughter from the audience, and for this Sadalsky was adored by the whole plant.
Admission
In 1969, Stanislav quit the factory and again went to conquer Moscow. They did not want to let him go, they offered him a promotion and a high salary. But the self-confident Sadalsky was not going to give up his dream: this time he submitted documents to GITIS.
At the audition, he was almost denied here too: the teachers believed that a guy with a speech impediment had no place at the Institute of Theater Arts. Olga Nikolaevna Androvskaya and Grigory Grigorievich Konsky, the leading artists of the Moscow Art Theater, had a different opinion on this matter: they believed that Sadalsky was very talented, and therefore could turn his flaw into a virtue.
career path
As a student, the actor completed an internship at the theater school in the German city of Leipzig, made his debut in the film “City of First Love” and starred in several more films. Sadalsky knew about his talent and expected that after graduation he would play only the main roles. He was invited to several theaters at once, but Stanislav was prevented by a transverse, uncompromising character. He left the Mayakovsky Academic Theater, slamming the door, two days later, quarreling with the master of Russian directing Andrei Goncharov: according to Sadalsky, he spoke to him too disrespectfully at the first rehearsal.
The next place of work in Sadalsky's biography was the famous Sovremennik Theater. Here the outrageous actor stayed for 8 years. Stanislav received only secondary roles of foolish losers, who did not bring him moral satisfaction and the desired income. He repeatedly expressed his complaints to the chief director of the theater, and she answered: “Not all steaks. Someone needs to be a garnish.” Volchek criticized the acting work of Sadalsky and decided to transfer it to the contract. Stanislav once again did not tolerate a dismissive attitude towards himself and left the theater. Galina Borisovna still speaks unflatteringly about the actor: “Sadalsky is a fool. Says the same thing, thinks the same thing.” Stanislav himself claims that leaving the famous theater is his pain for life.
After leaving "Sovremennik", Sadalsky got a job in the theater "In the South-West". But even there the actor did not stay long: once again he quarreled with the director.
The actor combined the game in the theater with filming a movie. In 1974, he played the Siberian German Korobkov in the film Three Days in Moscow. Critics praised his work, the actor began to receive invitations to shoot from the directors. Therefore, Sadalsky decided to leave the theater and devote himself to cinema. For 30 years, Stanislav starred in several films every year. For the role of hussar Pletnev, he had to lose weight.
Sadalsky's humorous talent and cheerful disposition contributed to the fact that he remained an actor of one role. Sadalsky was in great demand among directors, but he almost always got the role of silly losers. The most favorite characters of the actor are the strict professor Khlyudzin in the film “To whom God sends” and Mishka Kisel in the film “White dew”. Now the actor is ready to play the main role even for free, but he does not agree to the episodes at all.
Due to the fact that the actor asked for Georgian citizenship, since 2008 he has practically not been invited to act in Russian cinema. Sadalsky is skeptical about this. He periodically appears on various talk shows and hosts television shows, where he behaves very defiantly. The actor himself claims that directors require such behavior from him.
In the late 1990s, Stanislav Yurievich returned to the theater. Now he plays in entreprise performances.
Personal life
Due to his sharp, angry tongue and impertinence, Sadalsky has almost no friends among his colleagues; the actor likes to do crazy things to spite someone. But, since he always helps colleagues in Hard time and never publicly speaks badly of other actors, they have ceased to pay attention to his scathing remarks.
The main brawler of the Russian acting environment has always been distinguished by a reverent attitude towards women. He charmed them with his gallantry and courtesy, making compliments even to the most nondescript. He likes to remember how the eighth-grader Alla broke his heart when he was in the fifth.
Photo: Stanislav Sadalsky with his wife However, the personal life of the actor did not work out. In the 70s, he met a woman from Finland who was 15 years older than Sadalsky. They began an affair and four years later they got married. The wedding was attended only by Sadalsky's brother and a close friend of his chosen one. In 1975, the wife gave birth to the actor's daughter, Pirio-Lisa. Shortly after the birth of their daughter, the couple separated, Sadalsky's wife left for Finland with her little daughter. Officially, the actor is still married, but he met Pirio only twice in his life. Stanislav Yuryevich believes that a complex character prevented him from building a long-term relationship.
After parting with his wife, Sadalsky met with actresses and ordinary women. In 2008, he began dating an actress. Their romance lasted about 7 years, then they still broke up. However, Sadalsky claims that Vasilyeva helped him get rich and that he still has tender feelings for the actress.
Now the actor lives alone in a two-level apartment in a prestigious district of Moscow, collecting antiques.
Social media activity
The actor has hundreds of thousands of followers on Instagram and LiveJournal. Journalism became the main hobby of the actor when he came to work on the radio. Listeners still remember the programs “The Lonely Jester Show” and “Surprises”. Sadalsky also published in Komsomolskaya Pravda, led the Scandal News column in Express Newspaper.
Now the actor has switched to a modern format and actively maintains accounts in social networks, has written several autobiographical books. The actor loves to share gossip about Russian pop stars, engage in revelations, talk about his attitude to what is happening in Russia and in the world. His views are often too categorical, he speaks unflatteringly about other celebrities. The heroes of Sadalsky's posts are often offended by the actor, but ordinary readers are not left indifferent to the style of narration and the irony of the actor and a member of the Union of Journalists of Russia.
Sadalsky, who is overly demanding of people, does not suffer from self-criticism. About his game, he says this: “I just always liked to play the fool. I never wanted to be better than what I am. On the contrary, I always wanted to be worse. I play brilliantly, even the enemies recognize. You come and see how to play. Immodest? Let's leave modesty to the losers, but I'm the lucky one." However, he does not like being called a comedian and believes that a real actor should play everything.
Selected filmography
- 1970 - City of First Love
- 1981 - Poor Masha
- 1983 - Shurochka
- 1988 - Lady with a parrot
- 1990 - Swindlers
- 1992 - Destroy the thirtieth!
- 1997 - Cases of Lokhovsky
- 2002 - Friendly family
- 2006 - Stepanych's Spanish voyage
- 2012 - Happy New Year, moms!
- 2014 - Zemsky doctor. Love contrary
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Stanislav Sadalsky is familiar to modern viewers not only in acting roles. He broadcasts on the radio, as well as his own blog on LiveJournal.
Biography
Stanislav was born in 1951 into a family of teachers in a small village in the Chuvash Republic. Not only Chuvash blood flows in his veins, but also Polish, Ukrainian and even Jewish.
When the boy was 12 years old, grief happened in the family: his mother died, so he and his younger brother were brought up in a Voronezh boarding school. In his youth, Stanislav tried to find relatives, and he managed to find a great-aunt who lived in Germany.
From childhood, the boy took part in the production of performances. After the boarding school, he made several attempts to enter the theater university of the capital. Only a couple of years later, in 1969, he still managed to enter GITIS. After graduation, he went to work in the theater.
Mayakovsky, but two days later he had a fight with the management. He worked for 8 years in Sovremennik, but due to the lack of leading roles, he also left this theater.
Movie
The first film with his participation was released during the years of his studies at GITIS. The actor was able to demonstrate a bright and extraordinary game, which he immediately remembered and fell in love with the viewer.
On the this moment on his account more than 90 roles, and each of them was remembered by the viewer with a special energy. The films “Say a word about the poor hussar”, “To whom God will send”, as well as the voice acting of the cult cartoon “Last year's snow was falling” brought him great fame.
Now the actor has returned to the theater and believes that he plays quite defiantly, but this is what makes him recognizable.
Journalism and blogging
Together with Tina Kandelaki on the Silver Rain radio, he talked about interesting people. The program was called "The Lonely Jester Show". The actor also published in many periodicals in Russia.
A special place in his work and life is occupied by a blog in LiveJournal. Here he masterfully talks about the most current events from Russian politics, show business and yourself. Stanislav Sadalsky actively supports the Georgian politician Mikheil Saakashvili.
Personal life
Despite the fact that there were many women in the life of Stanislav Sadalsky, he was officially married only once. His wife lives in Finland (in Helsinki). There he has adult daughter, born in 1975. Pirio (Sandalsky's daughter), unfortunately, does not know Russian. And the girl saw her father only a few times in her life.
The actor still appears at events with new passions. And he does not comment on his personal life.
Sandal today
Stanislav Sadalsky has been at the center of scandals more than once. He often spread various rumors about the stars, and for this he is even called the “king of scandals”.
It was rumored that for his anti-Ukrainian mood a year ago he was included in the list of those who were banned from entering Ukraine. The actor was very upset about this and changed his views a little, ceasing to talk about the politics of the fraternal state. After some time, entry into Ukraine again became possible for him. And Ukrainian law enforcement officials denied the information about the former ban.
Today, the actor continues to perform in the theater, participates in programs and shows, and spreads scandals.
Social networks
In addition to using LiveJournal, the actor also uses other social networks. Stas Sadalsky on Instagram - https://www.instagram.com/stassadal/- posts personal photos from travels, with friends from the theater, and from time to time old photos from film sets appear on his page. Sadalsky posted a link to his blog on Instagram in LiveJournal - http://sadalskij.livejournal.com/.
Actor's personal page VKontakte - https://vk.com/id54162399. But, judging by the date of the last publication, the information here is not entirely relevant.
Sadalsky's Twitter - https://twitter.com/stassadalskij. As in others in social networks, on Twitter, the actor actively shares events from his life with his readers and reposts entries from his own blog.
Sadalsky's Facebook - https://www.facebook.com/stas.sadalskij- echoes information from his blog, Instagram and Twitter.
Stanislav Sadalsky has many talents. He skillfully plays in film and theater, writes articles and leads an active social life. Despite not quite a young age, he feels young and ready to enjoy life.
Stanislav Sadalsky is a Soviet and Russian theater and film actor. TV and radio host, also holds the title of "People's Blogger of Russia" due to the active use of the LiveJournal blogging platform.
Stanislav Yurievich Sadalsky was born on August 8, 1951 in the village of Chkalovskoye, Chuvash ASSR. The actor considers himself a Russian artist, but his pedigree has different roots: Chuvash, Jewish, Polish, Ukrainian. Parents worked as teachers: mother taught geography, and father physical education.
Like comedians, smiling on stage and from TV screens, Sadalsky keeps bitter moments of life in his heart. At the age of 12, the boy was left without a mother. The actor blames his father for the death of his mother, who constantly beat his wife and children. Since then, Sadalsky has not seen his father, who handed over the children to the Voronezh boarding school. The younger brother died in 1991 and was buried in St. Petersburg.
Being young, Sadalsky was looking for loved ones, sought to become closer to the roots. In 1976, a great-aunt came to him from Germany (from the Jewish relatives of his father). Stanislav calls this period of life fantastic. Relatives go together to expensive Moscow restaurants, walk, communicate. Nevertheless, “at the top” considered the concern of the 75-year-old relative suspicious, and for the connection with foreigners, the actor’s name is deleted from the animated film “Last Year’s Snow Was Falling”.
Since participating in school plays, Stanislav has been striving to become an actor. Sadalsky recalls with pleasure the role of Signor Pomodoro, which he had to play at school.
After school, the young man does not get into any theatrical university in Moscow. The commission is embarrassed by the actor's malocclusion. In 1969, the young man still enters GITIS. Prior to that, he worked as an assistant turner at a motor plant in Yaroslavl. AT free time participates in amateur activities in the local recreation center.
After graduating from GITIS in 1973, four theaters offer work. The choice fell on the theater. Mayakovsky, where Sadalsky stayed for two days. Having quarreled with, Stanislav Yuryevich leaves for Sovremennik. 8 years the artist does not receive any leading role. Soon the artist decides to leave the theater.
Movies
"City of First Love" is the first film in which Stanislav Sadalsky plays during his student days, but the viewer will fall in love with the actor's game later, in 1974 with the release of the film "Three Days in Moscow". Critics will appreciate this role in the artist’s creative biography, but in the future they will note the work in the films “The meeting place cannot be changed” and “Say a word about the poor hussar”, where Sadalsky will demonstrate a vivid and memorable game.
Stanislav Sadalsky as "Brick" in the film "The meeting place cannot be changed" Film and theater roles bring fame to the actor, because Sadalsky's track record includes more than 90 interesting roles. The artist himself singles out his work in the film “To whom God will send”, but the role of “Brick”, a pickpocket who was caught by MUR employees, brings him real fame.
The audience also remembered Sadalsky's voicing of the Soviet cartoon "Last Year's Snow Was Falling", which appeared on the screens in 1983. An animated film made using the technique of plasticine animation became popular in the USSR.
Theatre
Sadalsky is so colorful and organic in comic roles that he starred in the famous Yeralash 9 times. No one has yet broken this record.
Today, the actor returned to theatrical work. The audience appreciated the game in the non-repertory performances "Freaks", "The Naked Truth", "Divorce in Moscow" and others. The actor says the following about this:
“I play brilliantly, even the enemies recognize. You come and see how to play. Immodest? Let's leave modesty to the losers, but I'm the lucky one."
Blog and journalism
Sadalsky's voice was heard on the radio "Silver Rain" and "RDV". In the future, Stanislav Yuryevich becomes the author of the Lone Jester Show program. In the program, together with, and then with, the artist talked about interesting, unusual people - mystics, artists, adventurers. And, of course, Sadalsky's jokes graced the radio, because everyone remembers the funny pranks "Surprises" when the actor called famous people.
Few people know that Stanislav Yuryevich is a member of the Union of Journalists of Russia. The artist not only broadcast on radio stations, published in Komsomolskaya Pravda and Express Newspaper, but also wrote several biographical books.
Stanislav Sadalsky blogs on LiveJournal and does it brilliantly. This scandalous blog is one of the most read in Russia. On the blog pages, the actor wittily talks about breaking news from his life, about friends and people who are of interest to society, touches on political news.
Public outcry is caused by Sadalsky's attitude to, former president Georgia. Since 2007 he has been confidant politics and still enjoys the friendly disposition of the ex-president. Sadalsky supports Saakashvili, which he openly declares in his blog.
Scandals
Sadalsky is often referred to as the "king of scandal". The artist has repeatedly found himself in the center of scandalous stories, got on the front pages of popular Russian publications.
Repeatedly in the press there was information that Stanislav Yuryevich talked about the relationship of close friends-actresses with their children. Earlier, Sadalsky wrote about the “strange” attitude of the son of the actress to his mother.
Soon the case also affected the actress. Sadalsky claims that the daughter of Lydia Fedoseyeva-Shukshina is demanding 15 million rubles from her for housing, and this, according to the actor, is real blackmail.
Sadalsky also spoke negatively about Russian religious figures. In particular, the artist on the air of the “Visiting at” program stated that he is “disgusting, because he constantly lies, not fulfilling his promises.”
In 2015, Sadalsky criticized the singer's relatives. The artist calls the deceased singer a wonderful person, but condemns the behavior of her family.
In 2016, Sadalsky criticized the singer's photo shoot. "People's Blogger of Russia" commented on the video with a naked prima donna, stating that “Pugacheva undressed to save the ratings of her husband »
.
“Saved the show and saves her husband’s ratings by doing so. Galkin's show "Maxim Maxim" is actually unsuccessful, and it is unlikely that success will smile on him in the future, ”Sadalsky commented.
At the beginning of 2017, the artist reaffirmed his reputation as a brawler. Sadalsky publicly commented on the troubles of the actress, publicly discussing the loans of a friend.
Sadalsky commented on the behavior of the actress, mother opera singer and former deputy State Duma. The artist appreciated the communication of a friend with journalists, calling the conversation with media representatives witty.
Often, new videos of the artist can be seen on the Periscope online video broadcast service, and comments on various events can be read on the blog in LiveJournal.
Personal life
Officially, Stanislav Yurievich is married. However, the Finnish wife, who became one back in the 70s, has long been living with her daughter in Helsinki. The daughter was born in 1975, she was named Pirio. Unfortunately, she does not know Russian and saw her father only 2 times.
The press has repeatedly reported on the artist's numerous novels with well-known representatives of Russian cinema, but Sadalsky himself did not confirm the rumors.
Sobesednik.ru creative editor Dmitry Bykov spoke with Stanislav Sadalsky about life and acting.
Sadalsky is very smart, I understood this 25 years ago when I did my first interview with him. Those people who perceive him as a jester are mistaken. And he uses these mistakes. He was the first in Russia - and maybe in the world - to combine acting and journalism, and his "Scandal Chronicles" - and now a blog - are known no less than performances and film roles. They are frank with him, he remembers. He knows how to win over like no one else, and he has an acting memory. This is how a well-known and dangerous journalist turned out, who talks about himself in a very dosed way, and gives interviews r-caustically:
- Why should I? Anything I want, I can say on my blog. It has as many readers as any other media.
Who called Mikhalkov a "genetic scoundrel"
There are things you don't blog about. So I was yesterday at the run-through with my son, he is also studying with me to be an artist ...
- Wave your hand: in this profession, you can not advise him anything. And in fact, no one can. To teach a craft - yes, but talent, my teacher Konsky said, is not taught.
I'm not talking about that. Here they are 17-18 years old, but I already smell this theater atmosphere there, which I still know, albeit from the outside. This spirit - how to say? - at the same time partnerships and *** [debauchery]. And I can't figure out what else is out there.
- The remark is fair, but even Chekhov said: “Strange people are actors, and are they people?” When we studied at GITIS, we practiced a cruel thing. A group of students went to a restaurant, we sat down separately, some of our girls separately. We ate and drank, the girl was squared by an elderly wealthy man. We noticed this and made a scandal, saying that this is our girl and you can’t corrupt her. As a result, he paid for our food, and the girl jumped off. Therefore, the ratio is this: with the rest (“from the public”) [debauchery] really happens, but camaraderie is observed within the workshop.
- If you, with your malocclusion, were not taken to GITIS, what would you do?
- The same. They didn’t take me anywhere in the first year, I entered the second. I knew from the third grade that I would be an actor. The word "can't" doesn't exist: I couldn't - it means I didn't want to.
What can't an artist be without? How is he fundamentally different from a human?
- I have no idea. Formally speaking, he should be able to monkey around, but I never liked that. Well, you are peeping, of course - that's how you are sitting now, leaning on two chairs ...
- Like, listen! Looks like! Even the mustache seems to have become larger ...
- But it's easy.
- Wait. Can you get into a state quickly?
- Never could. I think for a long time, tune in, and generally work on pure technology - not my cup of tea. There is an artist (names), he does everything right, I see it as a professional. Not a single string resonates with me. I can't do that. Not a single take, not a single scene can be played the same way twice.
The good director Ustyugov suffered terribly with me, but he could not even get me to walk across the stage twice in a row by the same route. In general, I can do almost nothing to order, because I don’t want to. On stage, for sure. At the rehearsal - no, and every morning at ten to get up for a rehearsal, to serve in the repertory theater ... On stage, I can cry in streams, but in my life I have no tears at all. In principle, an actor is such a creature of quick response. Crawls out of any situation. So I remember: Fomenko staged “Without Guilt of the Guilty” at the Vakhtangov Theater, a performance that was exceptionally interesting in terms of decision. After the premiere, Mikhalkov flies to him with enthusiasm. Fomenko calmly says: I can’t give you a hand, because you are a genetic scoundrel. Verbatim. Mikhalkov, however, got out of the situation: he instantly changed his tone to a trusting, even compassionate one. Like: how do you live with such anger ... Something like that. Instantly. This is an artist.
- Can I write it?
- I think it should. But emphasize that I told you this.
I will write any nonsense - and everyone will buy
- Listen, maybe the basis of artistry is vanity?
- Well, Lucy Gurchenko also said about one of her close acquaintances that he can finish only if they are standing around and applauding.
- Is very similar.
- Stop! Now, in a conversation, I understood what an artist is. Although this is not my definition in principle, Arthur Miller said this when he met with the Sovremennik troupe. An artist is a person who went on stage, showed his hand to the audience and said: white. Showed another: black. And they believed him. That is, a person who is trusted. But keep in mind: if you didn’t believe at the first moment - that’s it, you can no longer try.
- On this, apparently, the success of your blog is based.
- I know that I can write any nonsense and buy into it. It is not clear, however, whether this is my acting reputation or a feature of the Internet. But here, you understand... I once filmed with one wonderful actress, I can name it, but not for publication. Lived during filming on the ship. I look - what is it like: on the first night it is given to one sailor, then to another, then to a third! I say: what are you doing, they will tell everyone that they slept with the most ...! She shrugged it off: who would believe them! This is very true, and this is purely an actor's approach. They are not artists, and no one will believe them, although they slept with her. And if they were artists, they would not even need to sleep. They said that's all.
- But in this environment - acting - are there people you trust?
- Yes, but in general I don't like this environment. I am fundamentally lonely. An actor, in principle, has no right to talk about his family, it harms the image, and I can’t stand these conversations, especially when people who have nowhere to put a test tell how they are faithful to their spouse and passionately pray to God. I saw everything, and everyone saw it, why be hypocritical when you can remain silent? But in principle, I am inclined to a lonely lifestyle, and to the eternal question: “Who will give a glass of water?” - I answer: I’ll crawl somehow ... And it’s not a fact, as in a joke, that I will want to drink before I die.
And in general, I don’t really like actors, actresses are still back and forth, but men ... Firstly, the dumber the actor, the better he is, as a rule. Secondly, constant lies. Thirdly, pathological jealousy for someone else's success. This is not only acting, but also creative in general. I'm afraid it's getting into the profession. They ask: why did Motyl's "Forest" lie on the shelf? There was nothing seditious there! That’s why I lay down, and at first they mutilated the picture, took out the best song from there, Okudzhava specially wrote “God grant it”, and then they simply banned it, and no one saw my best early role. They envied me terribly. And not to talent, that would be half the trouble, but to the big money that he received for " White sun desert."
Maksakova - the ideal woman
- This is not about personal life, but theoretically: do you have an idea of \u200b\u200bthe ideal woman?
- A subtle thing: you need an ideally precise combination of dignity with the ability to admire and assent. You have to keep praising me. Suppose, in response, I begin to scold myself and say: what am I, such and such ... And here it is necessary in time (blushes, rolls her eyes): oh, how can you compare! He is a nonentity, he is puffed up with sycophants... and here you are! you are real! you are alone! And somehow you have to do it with dignity, with rigor. To sometimes suddenly sharply pull: do not forget, I am a queen, something like that.
- Have you seen such an example?
- Maksakova. The embodiment of my female ideal, if taken among mutual friends. Do you know, by the way, that A Million Scarlet Roses was written about her?
- And about Voznesensky?
- No matter. Let's say yes.
- Stas, I'm always trying to understand: how do you know everything about everyone?
- I have good informants.
- Come on.
- Bribery, the ability to get drunk ... I know a lot of things in general. I know things about you that you don't know about yourself.
- For example?
- I know who ordered to beat you in the year 2000.
- I know that. Sectarians. They threatened.
- Who threatens, Dima, he does not order. You could understand this at your age.
- Good. Is it personal or politics?
- More like politics.
- So-and-so?
- Warm.
- Then so-and-so?
- Correctly.
- My God, but why did he need it ?! And it was not such a beating that ...
- It doesn't matter. It is important for them to react if someone says something wrong about them. Not according to the concepts - to endure. Zhvanetsky was beaten and pulled out of the car for a reason, too.
Monkey and luxury
- Listen, how are you not afraid yourself?
- The fear was removed.
- Seriously?
- Seriously nowhere. There was a large tumor, thank God, benign. The adrenal gland was cut out. And that's it, since then no fear at all. The indifference is absolute. Do you know how afraid I was of death? Terrible thing. Now she doesn't bother me at all.
- I'm not really afraid either, but that's because I'm convinced of the existence of life after death.
- But this is in vain. There's nothing there. There is no God either. It was invented so that people still do not sink to absolute disgusting. But you can be sure - it all ends here.
- Listen, what would be a funny world where fear would be amputated for everyone?
- Nothing good. Some only fear and keeps from complete abomination.
- And greed can not be removed?
- I didn’t have this body initially. That is, I love, of course, luxury. Therefore, I play quite a lot, and I get paid well for it. In the enterprise there is such a thing - a monkey. "Who is your monkey?" This is who they go to. The rest get, let's say, so much for going out, and I get a little more. I can name the amount.
- No, envy has not yet been amputated for me either.
- Are you greedy? I wouldn't say so.
I'm greedy in the sense that I can't always bring myself to donate to charity. For love - I can, for some pleasures like a new gadget - I can. But not always for a good cause.
- Well, that's right. It's not greed, it's a different feeling. I, too, cannot donate to charity: firstly, I am disgusted to do this publicly. I'd rather give it to a specific person whom I know, and so that no one can see. Secondly, I don’t understand: why is the state taking care of sick children all over the world, while we have to publicly chip in on them? Why is this even tolerable?
- Did you know Elizabeth Glinka?
- Superficial. I know how they argue about it. But I am an honest fellow: whoever treats me well, I am well with him. She came to me, praised me, gave cognac. Pretty expensive, by the way.
Israel didn't recognize me as a Jew
- I don’t understand: you know so much about people - but somehow you think well of them ...
- Not that good. But just bad people no. There are incompatible people. The one who seems to you a bastard is simply incompatible with you, well, you don’t need to communicate with him. Nobody is forcing you. I used to endure even direct rudeness on the blog. Now at the slightest attempt to get nasty - get out immediately!
- So you, too, are rude?
- You know, you can tell the truth to a jester, but I have been holding on to the image of a jester for a long time, and somehow they still tolerate me, although, let's be honest, it's difficult to be fat in Russia. They don't like fat people. Why dont know. But that's not a problem these days. There I have Chinese tea, which allows you to lose weight in two weeks for any role or just like that. But from time to time, yes, they try to get rude to me in the traditional way, this is a stable formula - “fat Jewish pig”. - Why a Jew?! - In Israel, I was also not recognized as a Jew, because of my father. I asked if it was possible to get citizenship, they said: no. I was indignant: why are they mentioning me on the Seven Forty website? They answered: on this site, all celebrities are mentioned. But this is not a reason for citizenship.
- And why did you take Georgian?
- I don't like it when little ones are hurt. The Catholicos gave me a cross, and I wear it, although I am an atheist. I also wear mogendovid and a crescent - after all, I'm partly Chuvash, if you don't know.
- I know. But why didn't you take Ukrainian citizenship? Is what is happening in Georgia shocked you more? Or is it just more dangerous than in 2008?
- Yes, I have no fear, I say the same. But I don't like what is happening with Ukraine. They are too much like us. Georgians are different. Georgians have chivalry. There you are respectfully loved, there you are not allowed to get a wallet, there they observe hospitality and reverence for women, everything is generally different there. And Ukraine is just us, we are terribly similar, and I don’t understand why they wanted to disengage so much from the very beginning, to the Crimea, to the Donbass. In general, there would be nothing, no Novorossiya, if they recognized Russian as the second state language. There is a lot of nasty and, what is most offensive, funny. Georgia was not funny.
- And how does it end with Ukraine?
- You know, I've just been to Lithuania. And a strange feeling: they were the showcase of the empire, its westernmost, most elitist part. Why did they give up on all this? To become the backyards of Europe? The buildings are shabby, the population is poor, and believe me, in non-capital, provincial Lithuania, almost everyone yearns for the old days. I think they would like to come back. And in the end everything will return to the USSR.
- Here I rather agree - because it was better.
- I love how it was in the seventies. I would like to have a door so that sometimes I can go out there. Even under Khrushchev it was better. Although ... well, what am I going to grumble?
Stanislav Yurievich Sadalsky. Born August 8, 1951 in the village. Chkalovskoye (Chuvash ASSR). Soviet and Russian actor. Honored Artist of the RSFSR (1991). People's Artist of Georgia and People's Artist of Chuvashia.
Stanislav Sadalsky was born on August 8, 1951 in the village of Chkalovskoye, Batyrevsky District, Chuvash ASSR (now the village of Shygyrdan) in the family of teachers Yuri Aleksandrovich Sadalsky and Nina Vasilievna Prokopenko, who lived in a school dormitory.
He spoke about his ethnic roots as follows: "In general, a lot of blood is mixed in me: Chuvash, and Polish, and Ukrainian, and Jewish. Only there is no Russian. But I consider myself a Russian artist".
Ancestors by maternal line- Ukrainians, originally from the Voronezh region.
Mother taught geography, and then was the head of the Kanash Goron.
Father - Yuri Alexandrovich - was a physical education teacher at the Kanash Financial College, a Jew.
Stanislav was left without a mother at the age of 12, who, according to Sadalsky, died due to the fact that her husband, Sadalsky's father, hit her hard on the head, he also beat the children.
His father sent him and his brother to the Voronezh boarding school No. 2, after the boarding school Stanislav hardly saw his father, his father died in 2001 in Voronezh.
Brother Sergei Sadalsky (1958-1991), died, was buried at the Volkovskoye cemetery in St. Petersburg.
The great-aunt, on her father's side, was Jewish, and her sister emigrated to Germany in 1917, served with Canaris, in intelligence, in 1976 she met her cousin.
The first role of Stanislav was the role of Signor-Tomato in a school play.
After graduating from school, Stanislav was not accepted into any Moscow theater university due to a malocclusion. Stanislav worked at the Yaroslavl Motor Plant as a turner's apprentice, played in the circle of dramatic art of the Motor Builders House of Culture.
In 1969, he entered the State Institute of Theater Arts for a course of students and acting teachers. People's Artist USSR O. N. Androvskaya and National artist RSFSR G. G. Konsky. Graduated from GITIS in 1973.
After graduating from GITIS, the graduate was invited to four metropolitan theaters at once. The choice was made in favor of the Mayakovsky Theatre, but literally two days later Stanislav leaves it, having quarreled with Andrei Goncharov and chooses the troupe of the Moscow Sovremennik Theater, where he worked from 1973 to 1981. For eight years of work in Sovremennik, Stanislav did not receive a single leading role, which caused disagreements with the chief director G. B. Volchek and eventually led to his departure from the theater.
Stanislav starred in his first film back in the years of study: it was the film "City of First Love" by M. Zaharias and Boris Yashin.
In 1974, Alexei Korenev's film "Three Days in Moscow" was released, in which the young actor played his first major role, for which he received recognition from film critics and the love of the audience.
In 1978-1979, Stanislav starred in several films at once: “On the Day of the Holiday”, “Pig in a Poke”, “Melody for Two Voices”. Then there were: "Forest" by V. Ya. Motyl, "Torpedo bombers" by S. D. Aranovich, "Promised Heaven", "Two Arrows" by A. I. Surikova and others.
Sadalsky's roles in the television films "The Meeting Place Cannot Be Changed" by the director and "Say a Word About the Poor Hussar" by E. A. Ryazanov were the most successful. The actor himself loves his role in the film with L. I. Udovichenko “To whom God sends,” directed by V. V. Zaikin. Best competitive film, prize for the best male role (S. Sadalsky) at the I Film Festival of Popular Genres "White Sun of Adler-1996".
Stanislav Sadalsky in the film "The meeting place cannot be changed"
Stanislav Sadalsky in the film "Say a Word About the Poor Hussar"
Stanislav Sadalsky's creative portfolio includes more than 90 film roles. He starred in eight stories of the Yeralash newsreel, a kind of record - none of the artists could overcome this bar anymore.
After a 20-year break, he returned to the stage and plays in private performances: “Divorce in Moscow”, “Incredible Stories”, “Love Decorator”, “Who is the Last for Love”, “Boots”, “Freaks” “Naked Truth”.
In 2007, he also played in the private performance "Peter-Moscow-Paris" together with actress Anastasia Mintskovskaya, with whom he has been friends since 1992.
He worked at the radio stations "RDV", "Silver Rain". He created the program “The Lonely Jester Show” on the radio, which he led first with Tina Kandelaki, and then (after her departure), with Nina Ruslanova. The program was very popular. Each issue featured a biography interesting person- from artists to mystics and adventurers. There were a lot of jokes, practical jokes, calls to famous people ("Surprise"). The beginning of the program - the sound of approaching steps in silence - has become Stas Sadalsky's hallmark for a long time.
He is an academician of the Russian National Film Award "Nika". He has published several biographical books.
He was engaged in journalism, published in Komsomolskaya Pravda, broadcast on the M-1 TV channel, radio stations Radio Rocks and Silver rain”, as well as the “Scandal News” column in the “Express Newspaper”. He blogs on LiveJournal.
Member of the Union of Journalists of Russia.
In February 2007, Sadalsky received honorary Georgian citizenship along with the Georgian Order of Honor. In the presidential elections in Georgia, in December 2007, he was a confidant of Mikheil Saakashvili. During the armed conflict in South Ossetia supported the Georgian side.
