Biography. Three men and one woman Renata Litvinova Rinata Litvinova

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Renata Muratovna Litvinova (Tat. Renata Morat qızı Litvinova). She was born on January 12, 1967 in Moscow. Russian actress theater and cinema, film director, screenwriter, TV presenter. Honored Artist of the Russian Federation (2003).

The actress received the name Renata in honor of her uncle Rinat, who was a Tatar.

Mother - Alisa Mikhailovna Litvinova worked as a surgeon, father Murat Aminovich Vergazov (1940-1987) was also a doctor. Parents separated when Litvinova was only a year old, but the actress in an interview recalled him as a very handsome man. He was a descendant of an old Tatar family from the city of Kasimov, Ryazan province.

In addition to general education, Renata attended and music school, as well as the section athletics, although she did not have the ability to run. She was taller than her peers, for which she was given the nickname "Ostankino TV Tower".

In addition to growth, Litvinova was also distinguished by a special view of the world that others did not perceive and ridiculed, and her classroom teacher called the girl "not of this world" and asked not to touch. She left her after school and taught her how to twist a doormat, which Litvinova perceived as a mockery.

Having no friends, Renata spent most of her free time reading books in her home library. Her favorite writer was Gogol.

In high school, Renata Litvinova had an internship in a nursing home, where she was appointed head of the admissions department, since there were no permanent doctors there, and someone had to do the work of receiving older people. Doctors came only on the day of the appointment itself, and did not stay longer. There, Litvinova faced a violation of the law, when children handed over their parents, while according to the law only single people could be accepted. She said in an interview that she had a lonely childhood and remembers school with disgust.

In his youth, Renata Litvinova had big financial problems. This prompted her to appear in commercials. Litvinova's first advertising experience took place in the ninth grade. Her appearance, apparently, was successfully combined with jewelry, since it was them that she was offered to advertise. Later, she successfully passed the qualifying competition to work as a fashion model, but at the same time she was accepted into VGIK, where she went to study.

During her studies, she was fond of film history, and, in her own words, she preferred screenwriting to acting.

When writing his thesis script entitled "The principled and pitiful look of Ali K." Litvinova had problems with the reviewer, who negatively assessed almost finished work, accusing him of not being able to speak Russian. As a result, it had to be rewritten three times.

Pre-graduation internship Renata took place in the association of the famous director, screenwriter and producer Sergei Solovyov "Circle", whom she met when he was in charge of the Kazakh workshop at VGIK. Solovyov believed that Litvinova's prose was very peculiar due to her bright personalities and unforgettable manners, and the level of skill already in her early years was outstanding. Solovyov really liked the script "Dislike" written by Renata and he launched it in his association.

In 1988, Litvinova wrote the script for the short film “Very Beloved Rita. Last meeting with her.

In 1989, she made her debut as an actress in a cameo role in the film by Russian director Alla Surikova “Two Arrows. Detective of the Stone Age, "playing a man from the family.

In 1994, the actress received one of the main roles in the drama "Hobbies" by Ukrainian director Kira Muratova. Subsequently, Litvinova starred in six more films by Muratova, including the melodrama The Adjuster, which participated in the out-of-competition program of the 61st Venice Film Festival.

The actress gained wide popularity in 2000 after the release of the television series "The border. Taiga Roman", in which she played the role of Albina Raven, a garrison medical worker - a somewhat strange, sophisticated girl of 25-30 years old, who is burdened by life in the outback of Russia with a hated husband. He focuses on everyday problems, while Albina considers herself an aristocratic person and struggles with his desires. In 2002, Renata Litvinova received the State Prize of Russia for her role in this series.

In addition to acting in films as an actress, she was a screenwriter and director of many films. The films "Goddess: How I Fell in Love" and "Rita's Last Tale" are entirely Litvinova's original works, in which she acted as a director, screenwriter, producer and actress.

AT different time directed 8 clips for Zemfira.

She starred as an actress in Alla Pugacheva's video "River Tram".

Renata Litvinova in the video "River Tram"

In 2001, Litvinova starred in three films at once: the film almanac "Black Room", the film "Berlin Express" and the crime drama "April". In The Black Room, Litvinova played the role of a croupier in the last episode of Hypnosis, along with Elena Korikova, Marat Basharov and Mikhail Efremov. In the Berlin Express, the actress played a cameo role as an intelligence agent. Also this year, Litvinova starred in the video "River Tram", and in 2003 in the video of the graduate of the "Star Factory" Yulia Buzhilova for the song "You write to me."

After a number of minor projects, Litvinova returned to work as a screenwriter, thanks to which the film Sky. Airplane. Young woman". It was a remake of the 1968 film Once More About Love. In this work, Renata acted as a screenwriter, producer and actress, playing the main female role of Lara. Litvinova wrote the script based on Edward Radzinsky's play 104 Pages About Love. The film is dedicated to the problem of love and separation.

In 2003, the British artist, director and writer Peter Greenaway invites Litvinova to his multimedia project Tulse Luper's Suitcases. In addition to Renata, Italian actresses Ornella Muti and Isabella Rossellini took part in the project. Despite the participation of world movie stars, the project could not be fully implemented. Litvinova has gone from the screenwriter who inspired Kira Muratova, Yuri Grymov, Valery Todorovsky, to the director of her own film "The Goddess: How I Loved".

Since 2004, on the stage of the Moscow Art Theater named after A.P. Chekhov, Litvinova has been playing the role of Lyubov Andreevna Ranevskaya in the play The Cherry Orchard, and since 2012, the role of Romaine in the play Witness for the Prosecution.

In 2005, Afisha Publishing House published the book Goddess. Conversations with Renata Litvinova, written by journalist Alexei Vasiliev. The book is composed of dialogues and excerpts from unpublished prose.

In 2007, the publishing houses "Amphora" and "Seance" in the series "Library of the Screenwriter" released the book "To Possess and Belong", which included short stories and screenplays.

In addition to acting and director's work, Renata Litvinova is known as a TV presenter of several programs about the history of fashion (“Pedestal of beauty. The history of shoes with Renata Litvinova” and “The beauty of the hidden. The history of the bottom dress with Renata Litvinova” on the Kultura TV channel), about cinema (“Night show with Renata Litvinova on NTV, Film Premieres and Cinemamania on Muz-TV). Renata Litvinova is the advertising face of many brands. So, the actress at various times advertised L "Oreal cosmetics, Rado watches, Volvo cars, Carrera Y Carrera jewelry.

In 2014, Litvinova, with the support of Zarina, presented her own collection of clothes in the style of the 1950s of the XX century.

She repeatedly spoke out against homophobia, racism, fascism. In 2012, she took part in the photo project Harper's Bazaar "I am against!".

In February 2013, answering a question from The New Times magazine, she spoke with words of support for homosexual teenagers: “When you are alone against everyone, you must have strength and knowledge inside yourself that the time will come when, having gone against everyone, but preserving yourself, you will be right. She later joined the anti-homophobic campaign Be Strong, in a video message for which she expressed a similar opinion.

The growth of Renata Litvinova: 172 centimeters.

Personal life of Renata Litvinova:

The first husband is film producer Alexander Antipov (born 1970). They got married in 1996, but divorced in 1997.

The second husband is businessman Leonid Dobrovsky (born 1965), they got married in 2001. On July 26, 2001, their daughter Ulyana was born. In 2007, the couple divorced.

The girl is studying in France - Renata believes that the French school education is superior in quality to the Russian one.

Marriage with Dobrovsky was difficult for Renata. They quarreled endlessly, sometimes the husband used his fists. Incl. hit in the presence of a child. There was a case when, in front of his daughter, he began to strangle Renata and rush at her with a knife. They divorced with a scandal - her husband almost took her daughter from her.

According to rumors, Litvinova is bisexual. There are suspicions that her relationship with famous singer go beyond mere friendship.

According to some reports, the scandals with Dobrovsky were precisely because of Litvinova's relationship with Zemfira.

Renata Litvinova herself avoids talking about her personal life.

Filmography of Renata Litvinova:

1989 - Two arrows. Stone Age Detective - episode
1994 - Hobbies - Lily, nurse
1997 - Three stories (film almanac) - Ofa, maternity hospital registrar
2000 - Black Room (film almanac) - croupier in a casino
2000 - The right to choose
2000 - Border. Taiga romance - Albina Raven, nurse
2001 - Hypnosis (short) - croupier in a casino
2001 - April - Nastasya
2002 - Sky. Airplane. Girl - Lara
2002 - Berlin Express - intelligence agent
2004 - Adjuster - Lina, Andrey's wife
2004 - Saboteur
- Faina, investigator
2005 - Zhmurki - waitress / secretary
2005 - Vocal Parallels
2006 - It doesn't hurt me - Tata, Natella Antonovna
2006 - Tin - the wife of a naked man
2006 - Two in one - a tram depot worker
2006 - 9 months - episode (uncredited)
2007 - Cruelty - Zoya Andreevna Gatkina
2008 - I'll give myself to good hands- mother
2009 - Ordered to be destroyed. Operation Chinese Box - Charlotte
2009 - Melody for barrel organ (Ukraine) - "Kisa"
2009 - Little Red Riding Hood (Chervona Riding Hood, Ukraine)
2009 - Veselchaki - Rosa's wife
2010 - golden ratio- Katyusha
2010 - Diamonds. Theft (short) - woman with a big nose
2011 - Hearts boomerang - sorceress
2011 - Rita's last tale - Tanya Neubivko
2011 - Generation "P" - Alla
2012 - Girl and Death (Girl and Death, The / Mädchen und der Tod, Das, Germany, Netherlands, Russia) - Nina
2012 - The Cherry Orchard (film-play) - Lyubov Andreevna Ranevskaya
2012 - Eternal return - Woman
2013 - Gena-Beton - editor of the newspaper "Our crime"
2013 - Magic Cup Rorrim Bo 3D - Senior Pioneer Leader / Witch Vergilda
2015 - About love - lecturer
2016 - How to get a neighbor

Voiced by Renata Litvinova:

1999 - 8 1/2 dollars - Ksenia (the role of Natalia Andreichenko)
2008 - The Adventures of Alyonushka and Yeryoma (animated)
2009 - Peregrine Falcon (animated)
2009 - New Adventures of Alyonushka and Yerema (animated) - Alyonushka's aunt Efrosinya
2011 - Last Man from Atlantis (animated)

Directed by Renata Litvinova:

2000 - No death for me (documentary)
2004 - Goddess: how I fell in love

2011 - Rita's last tale
2016 - Petersburg. Only for love

Renata Litvinova's works as a screenwriter:

1990 - Leningrad. November | Leningrad, November (Germany, USSR) in collaboration with Andreas Schmidt, Oleg Morozov
1991 - Dislike
1992 - Tractor drivers II co-authored with Gleb Aleinikov
1994 - Hobbies
1995 - Principled and compassionate look
1996 - Men's revelations (short)
1997 - Three stories (film almanac)
2000 - No death for me (documentary)
2002 - Sky. Airplane. Young woman
2004 - Goddess: how I fell in love
2005 - Vocal Parallels (Russia, Kazakhstan)
2006 - Two in one
2011 - Rita's last tale

Producer work by Renata Litvinova:

2002 - Sky. Airplane. Young woman
2004 - Goddess: how I fell in love
2008 - Green Theater in Zemfira (documentary)
2011 - Rita's last tale


In 1989 she graduated from the screenwriting department of VGIK.
The internship was held in the association of Sergei Solovyov "Circle". The graduation script was called "Principled and compassionate look of Ali K.".

As a screenwriter, she gained fame after the films of Valery Rubinchik "Dislike", Kira Muratova "Hobbies", "Principled and compassionate look".
Especially for Kira Muratova, she wrote several crime novels, one of them ("Ophelia") was included in the film "Three Stories".

Based on Litvinova's story "To Possess and Belong", Valery Todorovsky made the "acclaimed" film "Country of the Deaf" (1998); based on the short story "The Third Way" Yuri Grymov made a short film "Men's Revelations" (1997). The short story "Two that someone needs" is the basis of Rustam Khamdamov's film "Vocal Parallels" (2005).

As an actress, she made her debut in the film “Two Arrows. Detective of the Stone Age", and having starred in the films "Hobbies" and "Three Stories", earned a reputation as a stylish and extraordinary actress.

How the director filmed documentary about the "stars of the totalitarian regime" - "There is no death for me."
She acted as a producer of Vera Storozheva's film "Sky. Plane. Girl" and her own film "Goddess. How I fell in love", in which she also played the main roles.

She also tried herself as a theater actress - she was busy in the play of the Moscow Art Theater. Chekhov "The Cherry Orchard" as Ranevskaya (director A. Shapiro).

She was a member of the jury of the Berlin Film Festival, the Moscow International Film Festival.

From 2005 to 2011 she filmed several music videos singer Zemfira.

Honored Artist of the Russian Federation (2003).

prizes and awards

Award for Best Acting Debut and Special Sponsors Award for Best Actress at the Kinotavr International Film Festival (1994; for her role in the film Hobbies).

Nika-1994 (for his role in the film "Hobbies".

Prize of the film festival "Window to Europe" (Vyborg, 1994, for his role in the film "Hobbies".

"Laurel Branch" in the nomination "Best TV Documentary" ("No Death for Me", 2000).

Laureate of the State Prize of the Russian Federation ("Border. Taiga novel", 2002).

Nomination of the award "Golden Eagle" for the best female role in the film "Sky. Plane. Girl" (2002)

Winner of the youth award "Triumph" (2001) and a number of film festivals.

Prize for the best female role ("It doesn't hurt me") at the XVII Film Festival "Kinotavr" (2006).

The future star was born in a family of doctors, but for some reason she never dreamed of a medical career. Renata's mother is a strong, principled and wayward woman. Dad was a handsome and charming man, completely incapable of refusing the weaker sex. Renata says that under his mattress she found a whole pack of heartfelt love letters from fans!

Because of this state of affairs, the parents broke up early. only child upset and sad. When guests came to her, the girl hung her grandfather's coat or cap in the corridor so that everyone would think that she had a dad. Now Renata admits: probably, all her friends knew that dad did not live with them. But they terribly felt sorry for the little insecure, unusual and notorious girl.

However, she was bullied at school. They came up with nicknames, starting from the name - a derivative of the male Rinat, scoffed at high growth. She recalls her school years as a time of loneliness, but notes that then her first loves began. The objects of her dreams often had some peculiarities, which she liked to discuss in trifles with her friends.

Hobbies

By the senior classes, the blond and tall girl suddenly blossomed. They began to call her on dates, and once they even called her out of the apartment to see what one guy had prepared for her. Behind the house, on the pavement, it was beautifully written: “Renata, I love you!”. At that moment, when the future star was considering the inscription, poured heavy rain. Before her eyes, the letters blurred and disappeared without a trace. As it turned out later, the boy who wrote them was hiding at that time in a dismantled and destroyed bus nearby - to see her reaction.

While the boys were sighing, Renata's mother began to instill in her a passion for art. In love with cinema, she often took tickets for evening sessions for herself and her daughter. The girl was not interested in all the films, and her mother had to lure her daughter to the cinema with apples. Gradually Renata got involved. It was there, in a dark hall on a sparkling late evening, that the magic of cinema began for her.

Mom introduced her to art, her grandmother gave lessons in femininity. Jars of delicate snow-white creams, fragrances of perfumes, gentle textures of lipsticks, dark eyebrows and manicures - this is all grandma. She understood how beautiful her granddaughter was growing, she showed how to take care of yourself, how to love yourself.

As a high school student, Renata was invited for the first time to take pictures. She passed in the open air, and after the girl returned home to public transport, feeling especially beautiful and considering the bewildered glances of random passengers as admiring. It's all about the thick makeup and false eyelashes, which she didn't take off on purpose. It seemed so beautiful to her!

Geisha

Renata began writing short stories while still at school, graduating from which she combined this ability with a love for cinema and received the answer: VGIK. She entered the screenwriting department the first time, and immediately met a huge number of incredibly interesting personalities, which helped her find her own style both in life and in creativity.

The first experiments happened with appearance. In her junior years, Litvinova heavily bleached her face, used burgundy lipstick and wore false eyelashes. The cold mask was crowned with the image of a taciturn and arrogant girl, which she invented for herself. She was nicknamed "Geisha" for her appearance.

Once a young director from St. Petersburg, Alexander Antipov, appeared at VGIK, who was a beauty in unusual way noticed immediately. He asked the boys: what needs to be done so that the "Geisha" pays attention to him? No one knew, everyone was afraid to approach the cool beauty. “I think she just needs to be washed!” Antipov swaggered. And then he suddenly approached Renata and started a casual conversation. After class, they went for a walk. A few days later, the young beauty shocked again appearance classmates, appearing without makeup at all and in a stretched sweater.

Trusting Renata with a subtle soul and piercing eyes gave all of herself to this novel. A few months later, the couple signed. She sincerely believed that Antipov was a talent and a nugget, and that this love would never end. By the end of her first year, her name could be read on the list of candidates for expulsion - she fell in love so much that she forgot about everything in the world.

But the exams, nevertheless, the girl passed, and quickly broke up with Sasha. According to official figures, their little family lived for three years. According to Renata herself, she ran away a year later. Gossips say that the windy young director started an affair, and the vulnerable child Renata could not stand it, was in complete despair and even tried to borrow money from her friends - “for a gun” to shoot her unfaithful husband.

Talent


Photo: Mikhail Ozersky / RIA Novosti

But the actress and director have always had a true passion for real talents. Such was her new acquaintance - Georgy Ivanovich Rerberg, a cameraman with a unique vision, who was brilliantly able to build a frame, to see a picture that anyone else would miss.

It was rather a creative union of two immediate personalities. Georgy Ivanovich idolized the beauty, making exquisite presents for her. For example, he could bring twenty surprisingly harmonious bouquets at once, the flowers in which were selected with a delicate taste, and arrange them all in vases around Renata. He guided her style, making it clear that plump cheeks should be removed, and a beautiful high forehead should be opened.

Once Rerberg made for her a foot warmer in the form of a felt boot and handed it over, saying that when Renata writes her scripts and she gets cold, you can put your feet in this wonderful device and warm up.

The last time she saw him was on the eve of his death. Cheerful company they ended up in his area and dropped in to chat with the brilliant cameraman. Later in an interview, Renata will note that he seemed very lonely to her and asked to stay when the guys were going home.

The girl was tormented by a strange, anxious foreboding. A day later, she could not stand it and called his daughter, with whom she was friends. Together they decided not to wait, to break down the door. It turned out that Georgy Ivanovich's heart stopped. Until now, Renata regrets that she did not have time to work with him on her paintings.

Zemfira

No one knows what paths brought together thin through and through bohemian Renata Litvinova and businessman Leonid Dobrovsky. It is only known that the couple lived in marriage for about three years, got a charming daughter Ulyana and divorced after swift rumors that called into question Renata's fidelity and claimed her romantic relationship with Zemfira Ramazanova.

The divorce was noisy and surrounded by a wide fence of thick gossip, behind which it was no longer possible to make out the true reason for the separation. Renata herself said that the man ran with a knife after her and their common daughter Ulyana, but a year later she managed to improve relations with former spouse, reconcile and continue to raise the child together, no longer taking rubbish out of the hut.

However, in 2012, the public became worried again: at the opening of one of the wedding salons, Litvinova hinted that she simply dreams of wearing a wedding dress, and this dream may soon come true. To keep the intrigue longer, the star read the poems without admitting who their author was. But then there was no wedding.


Photo ITAR-TASS / Artem Korotaev

Today, admirers of the beauty insist that only Zemfira still lives in her heart. But Renata does not confirm the rumors, emphasizing that they are only “close friends and associates” with the singer.

She was born on January 12, 1967 in Moscow. Her parents were doctors. The father died a long time ago. Mother, whose name is Alisa Mikhailovna, still continues to work as a surgeon. Renata received the name in honor of her uncle. Although the name of the Tatar uncle, to be sure, was Rinat.

Renata's father did not live with them. His daughter remembered him as a very handsome man. And she told me that she remembers how, when she invited her friends to her house, she hung something from the men's wardrobe, a cap or a coat at the entrance, so that her friends thought that she had a father.

Renata's mother was very fond of cinema. She went constantly, not forgetting to take her daughter with her to evening movie shows. Then these adult films seemed boring to Renate, and her mother carried apples in a bag for her. So, as a girl, I sat in the cinema, continuing to eat apples.

As a result, Renata fell in love with cinema very much, her mother's film mania was transferred to her. Until now, she admits, she can watch movies all day long. She is so partial to cinema that she remembers how she once smashed a cassette with a hammer. And it happened only because the scandalous film recorded on it seemed incredibly disgusting to her.

Renata school years does not like to remember. She says that about this time she has memories of a certain hopelessness, childhood loneliness. She always hurried home faster, away from teachers and students.

Renata read a lot and everything. She liked Gogol's works the most. She was incredibly fond of leafing through a large medical encyclopedia that belonged to her mother. Renata recalls that between the pages of this thick book tutorial lay flexible gramophone records. “For example, "Schizophrenic Delusions" ... That's all I loved to study," says Renata.

Studying at VGIK

The decision to enter the screenwriting department was made in the 10th grade. Renata pursued a variety of goals: her love for cinema required self-expression, and even then she began to write, and the proximity of VGIK to the house where she lived was also important. Litvinova took her slightly unusual stories and took them to VGIK.

Evgeny Gavrilovich, who was present at the exams, was delighted with Renata, and she was quickly and without problems accepted the first time.

It must be understood that at the Faculty of Cinematography it is difficult to see random people, such as Renata, there was a clear minority. But there were many children of quite famous and even famous parents. Roman Kachanov and Arkady Vysotsky studied on the same course with Litvinova, who in the end did not become involved in cinema. But Kachanov is known for writing the script for the film "DMB".

Her mannerisms and gestures are at first striking and seem unnatural, but in fact this is a completely natural way of holding on, inherent in Renata. The sharpness of Litvinova was also famous at the faculty, when detailed criticism was needed, Renata preferred to leave the discussion with the words: - It would be something to discuss. Although now it is difficult to find a person who is more correct in relation to works that not only do not cause feelings of admiration, but provoke real irritation.

Sergei Solovyov got acquainted with the work of Renata Litvinova back in those days - he led the Kazakh workshop at VGIK.

Renata's prose is very peculiar, these are bright personalities, unforgettable manners, and the level of skill was already outstanding at that time. I tried to push her to write original works for films.

Despite this, Litvinova's graduation script was perceived negatively, she was even accused of not being able to speak Russian. It was called "The principled and compassionate look of Ali K." and much had to be rewritten.

But Renata's internship was already with Solovyov, in the "Circle" association and her script "Dislike" immediately interested and even amazed the director. Rustam Khamdamov's "Anna Karamazoff" and Valery Rubinchik's "Dislike" were among the first to be launched. That's how it started creative life unusual and talented screenwriter - Renata Litvinova.

Among the bohemians in the cinema, Renata made a huge impression the first time. But they saw a lot there! Already in the early 90s, journalists in love with her began to write about Renata. Although, in fact, she has not done anything yet. As a matter of fact, Renata Litvinova is an interesting person in her own right.

She became interesting character not to be confused with popularity. Renate was still very far from popularity. So far, she was known only in narrow circles, among the masters of art and the pen.

Renata Litvinova wrote the script for the film "Tractor Drivers - 2". The film was supposed to be successful, but to be honest, it was unsuccessful. Although Renata Litvinova still claims that the Aleinikov brothers. who created it, have great talent.

Yuri Grymov, a specialist in creating clips, who considers himself a trendsetter who does not let a single glamorous thing pass him by, somewhere saw and read a story written by Renata Litvinova "The Third Way". Thanks to this story, Grymov found his way to the big screens. He called his work "Male revelations" and surprised everyone with the advertising campaign that he organized for his short film. However, the film was unsuccessful. Perhaps this happened due to the fact that Grymov wrote his script with his own hand, and also added several scenes of his own. In short, his cinema was quickly forgotten, but Renata Litvinova was not.

In the late 1980s, director Kira Muratova read Renata Litvinova's thesis titled "Principled and Compassionate Look" in the "Film Scripts" publication. She was so impressed that she wanted to make a film based on this work. But this did not happen, however, at one of the many film festivals, Kira Muratova met Renata Litvinova. - It was at the very moment when our acquaintance took place, - says Litvinova, - they began to launch holiday fireworks, and we did not hear each other. So we decided to meet at a bar. After the conversation ended, she said that she liked me. I remember being surprised by this phrase.

Litvinov and cinema.

Kira Muratova's call came early in the morning. Renata, waking up, vaguely understood what it was about: screen tests, a phone number, muttered something in response and fell asleep sweetly again.

When Renata finally got up, she took what had happened like a dream.

Wow, Muratova invited to audition. But when I saw a piece of paper with a clumsily written phone number on the table, I realized that this had actually happened.

The tests were unsuccessful, Litvinova did not fit the role well, but Muratova did not want to let her go. Then the idea arose of dividing the role into two people with the same text. But Litvinova did not appreciate her: “I am able to write the words myself,” and thus an incomprehensible character was born - a nurse with great oddities and amazing dialogues.

Renata Litvinova had already been invited to shoot, but she believed that her image did not fit in with the hypostasis of the actress, and she did not feel any special talent for herself. However, she could not refuse Kira Muratova.

Later, Renata wrote several short stories specifically for Muratova, and Kira nevertheless chose one of her works. It was "Ophelia, recently drowned", because of which many began to consider Litvinova a maniac. Muratova made the film "Three Stories", which included two more works by other screenwriters. It was then that Litvinova forever entered the history of cinema, loudly declaring herself.

Litvinova's story "To Possess and Belong" was liked by director Valery Todorovsky. The story about a deaf girl caught his attention, but he chose a completely different person as a co-author for writing the script, and many changes were made.

Only the image of Yaya herself remained intact, a girl with a hearing and speech impairment, brilliantly played by Dina Korzun. The film "Country of the Deaf" fell in love with the audience largely due to its performance.

Renata herself does not really welcome films and productions made based on her works. Sergei Solovyov believes that Litvinova, as an author, should do this herself.

How many times have I asked her to independent work invited under his own responsibility. She agrees, but so far has not dared to realize her plans.

TV

Over time, viewers were increasingly able to see Renata Litvinova on their TV screen. Almost all TV people were sure that if Renata said something on the TV screen, then the audience would definitely not switch the channel. Some will scold this unsurpassed blonde, but still the channel will not switch.

Leonid Parfyonov started a long project on super recent history. This project was supposed to go to NTV. Renata Litvinova was invited to participate in this undertaking. She was one of the main commentators. In this project, our heroine was the only woman. She constantly looked very impressive, especially since bald men like Karaganov and Gaidar were constantly in front of her. But, nevertheless, many journalists did not like this role of Renata. They thought that Litvinova looked too comical. There were also many spectators who did not really like the manner of intonation and the brittle plasticity of our heroine.

At the time, almost everyone had big problems with money. And Renata is no exception. This forced her to appear in commercials. Litvinova even advertised tights.

Her first advertising experience took place back in the distant ninth grade. Then her angelic appearance matched perfectly with the jewelry. It was them that our heroine advertised. Renata's first fee was 20 rubles. After some time, Litvinova, purely by chance, got to see the House of Models on the Kuznetsky Most. Renata was brought there by her friend. Then no one else famous girl I decided to try my hand. It's interesting that she did it. Litvinova was accepted, but she refused. This is due to the fact that Litvinova at that time had already entered VGIK.

Timofeevsky recalled the episode with the shows. - I changed clothes with them in the same room. - Renata had very beautiful shapes. - Against its background, all the forms of the other models were ugly.

"Border. Taiga novel"

The real fame and fame of Renata Litvinova brought the role of a garrison nurse in the film novel “Border. Taiga novel. But, according to Alexander Mitta, it is known that the role of the nurse was not written specifically for Litvinova, many actresses auditioned for her.

Alexander Mitta could not help but enjoy the work of the actress, she behaved very well in the work process, listened to the director. Later, Mitta said - “I will not make a movie without the participation of Renata. She can become an international star." At the beginning of the summer of 2002, the actress Litvinova for a good role in the film series “Border. Taiga novel” was awarded the State Prize.

There is an opinion that Renata plays herself in many films. To this, the famous Solovyov said - “ Strong woman. Renata has her own secret and definitely, she does not intend to reveal it in other people's films. She reveals her personality, her vision of the image in the pictures. The role of her heroines Litvinova shows competently, dosed, not allowing anything free.


The talented actress and presenter Renata Litvinova was born and raised in Moscow. The girl's mother is Russian, and her father is of Tatar blood. Her real name is Renata Muratovna Vergazova. She turned 50 in January 2017.

Biography

The actress's parents were doctors. FROM early years Litvinova was brought up without a father. The father left the family, and the mother had to work very hard so that the child had everything he needed. She is a maxillofacial surgeon by profession. Alice (Renata's mother) was rarely at home, so they brought up the future leading grandparents. It was they who had a strong influence on Renata. Grandmother was a creative person, she loved to write poetry, sew and led an active lifestyle. Grandfather worked at the plant as an engineer.

While still at school, Litvinova also began to compose. At the beginning it was short stories. At the same time, the girl was fond of sports and music. I also sometimes attended a dance club. All this helped her to fight the complexes, she considered herself an ugly duckling.

The beginning of acting

After school, the actress enters VGIK. Thanks to her mother, who was very fond of cinema, Renata from childhood wanted to connect her life with cinema. She easily passed all the entrance tests and began to study at the Faculty of Screenwriting Film Studies. She began to be surrounded by many members of the opposite sex. When they began to pay attention to Rinata, she realized that she was quite pretty.

The actress studied on the same course with such celebrities as Ivan Okhlobystin and Sasha Basharov. Here the star had many close friends who helped her move towards the goal. She never refused to help fellow students, and starred in their first works.

Litvinova received her first and minor role in 1989. But the really important year for her was 1994. She starred in leading role for the painting "Passion". The director of the film really liked the type of actress, and he shot her more than once in his works.

Renata became a real star after the release of the series “Border. Taiga novel. She met real professionals in her field at the shootings: Mikhail Efremov, Marat Basharov, Elena Panova, Andrey Panin, etc.

“Misha Efremov and I in “Border ...” are two such informals: he is a drinker, I am crazy ...” Renata Litvinova about filming in the series

Later, Litvinova herself became a director and released 6 films. Currently, she rarely acts in films, more often she can be seen as a TV presenter. Renata leads a secular life, is fond of fashion. The actress has her own unique and inimitable style. She is a muse for many creative minds and designers. The actress herself produces clothes. She has also written and published a couple of books. And according to her story “Country of the Deaf”, a film was even made.

Renata Litvinova - personal life

Everything that happens behind the scenes Litvinova tries to keep secret. The same applies to the husbands of the actress, there were 2 of them. The first chosen one of the girl was the producer Antipov. Their union lasted only a year. About details life together almost nothing is known.

The second time Renata got married in 2001. Her lover was businessman Leonid Dobrovsky. The couple divorced in 2006. For 5 years they had a daughter, Ulyana. The breakup of the actress was difficult and was widely publicized. In addition, the case went to court, and it was not without scandals.

Long time them family life seemed to be perfect. According to rumors, the close friendship of the star with the singer Zemfira led to a divorce. Rumor has it that Leonid became very irritable and even tried to attack Renata. Soon Litvinova could not stand it and filed for divorce.

The friendship between the singer and the actress did not suffer and became even stronger, despite the general interest in their relationship. Despite the many rumors, Renata and Zemfira continued to work together. An actress, and now a director, Litvinova shot a couple of clips for a friend. And in 2008, she released a film dedicated to the singer.

For a while, the girls began to appear less and less in public together. Many have decided that the friendship has come to an end. However, in 2009, women stopped close communication. It was rumored that the passion between them had passed, but they were able to maintain friendly relations. But more recently, joint photos of Renata and singer Zemfira began to appear on the network again.

Now the actress most of the time lives with her daughter in France. Ulyana studies there and rarely visits her homeland. Now she is 14 years old, and she has adopted all the best features from her mother.

  • They say that in 2015 the actress made a nose correction and finally got rid of the old complex
  • The girl watches her figure and does not eat fried foods, pastries and dairy products at all.
  • One of her favorite fragrances is Red Moscow. Love passed down from grandmother
  • Litvinova starred in 34 films
  • Litvinova admits to being obsessed with the theme of death

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